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      <image:title>HOME - Books - Daniel Biegelson reimagines the lyric “I” as a neighborhood. Hybrids of influences and interlocutors—ranging from Julian of Norwich to Muriel Rukeyser, Sam Cooke, and Adrienne Rich—reveal the permeable borders of self, family, and nation. Biegelson’s poems throw us “back onto the shards / of questions we thought we had answered” and—among the ruins of violent prejudice, economic collapse, and ecological extinction—find in those questions a space of reinvention and potentiality. In poetry and prose, Biegelson meditates on the complexity of Jewish identity, the responsibility of parenthood, and the experience of community and isolation in a politically polarized environment. With George Oppen’s linguistic precision and Walt Whitman’s ecstatic revelry, of being neighbors dwells where the limits of language give way to possibility, allowing us to imagine the liberatory moment when “maybe, someday, past the evening eclipse / past forgiveness… We’ll see a beach cleared of connotations—bright and ready to be returned.”</image:title>
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      <image:caption>Prelude or Prologue or Proem or Preamble or Preface or Fear and Trembling in the Midwest</image:caption>
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      <image:caption>Self-Portrait in an Infinity Mirror</image:caption>
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      <image:title>HOME - Poems</image:title>
      <image:caption>from (ת) Tekiah Gedolah [Dream-script Sonnets]</image:caption>
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      <image:caption>(ר) :: Big Shake on the Box Car Moving</image:caption>
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      <image:caption>(ע) :: Essay for The Bend beyond Which The Road</image:caption>
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      <image:caption>(ד) :: What Have I to Say in My Wrong Tongue of What Will Come</image:caption>
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      <image:caption>If it Rains or Freezes</image:caption>
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      <image:caption>The Absurdity of Carrying an Umbrella When All You Need is Oiled Feathers (Virtual Reading)</image:caption>
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      <image:title>HOME - Poems</image:title>
      <image:caption>While the Catholics Were Trying to Pray the Jew Away &amp; Tet</image:caption>
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      <image:caption>(ק) :: To See What You Cannot See</image:caption>
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      <image:caption>Tzadhe</image:caption>
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      <image:caption>Zayin</image:caption>
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      <image:caption>Neighbors (II) &amp; Neighbors (III)</image:caption>
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      <image:caption>Neighbors (VI), Neighbors (VII) &amp; Neighbors (I-X) Revisited</image:caption>
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      <image:caption>Archeology of Air</image:caption>
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      <image:caption>Neighbors (II) &amp; The Art of Lying Next to Each Other</image:caption>
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      <image:caption>The Absurdity of Carrying an Umbrella When All You Need is Oiled Feathers</image:caption>
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      <image:caption>You are a Small Town in a Documentary Film about Endings</image:caption>
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      <image:caption>Notes on Winter Holidays</image:caption>
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      <image:caption>You Are a Pair of Knitting Needles on an Otherwise Empty Rocking Chair in a Close up That Opens a Documentary about a Documentary Filmmaker Making a Documentary about the End of All Things</image:caption>
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